It was an amazing week and a half but, alas, the honeymoon is now–quite literally–over. Â We enjoyed six fun-filled days at Walt Disney World and Universal/Islands of Adventure, followed by four decadent days aboard the Disney Dream for a cruise to the Bahamas. The Wizarding World of Harry Potter is every bit amazing as people have said. I actually enjoyed the pumpkin juice more than the butterbeer and the Forbidden Journey ride only gets better with each successive ride (we went three times).
We hit all four Disney parks (some multiple times) and enjoyed every minute. (Tip: If you go to Hollywood Studios, the Toy Story Midway Mania ride is a must. Go first thing in the morning when they open, ride it once, then get a Fast Pass to come back later.)
Apart from being thoroughly entertained for the duration of our sojourn, we also had a chance to be educated and get schooled on bits of Magic Kingdom minutiae and trivia. Â Thus I present….
Little known facts about Walt Disney World:
–“Where dreams come true” was actually the second choice for a slogan. Â The first choice–“Terrible parenting on parade”–was nixed when someone pointed out that too much truth in advertising could be detrimental.
–If the Disney bus driver pulls into the parking lot and says, “Welcome to the most magical place on earth” and you reply, “We’re at Hogwarts?”, you will be met at the gate by a legion of truncheon-bearing costume characters and bludgeoned in time to “It’s a Small World.”
So, quite a bit of book news to share this week. Â First of all, my debut book has a new title! Â The book formerly known as CHASERS is now known as:
WITH OR WITHOUT YOU
I dig it. Well, I should. I suggested it. Â And the best part of the name change? Â The initials: WOWY!
With the new title comes a slightly new cover (man, I love my cover):
And if all these changes weren’t quite enough, the release date has also changed. Â Look for WITH OR WITHOUT YOU nearly two months earlier, on May 24, 2011. Â Yes, that’s right: the day before Towel Day! Or maybe Towel Day Eve. Â It will be all the more important to be a hoopy frood who knows exactly where your towel–and copy of WITH OR WITHOUT YOU–are. *
And I’m thrilled that Jason Myers, author of the fabulous EXIT HERE (and the forthcoming DEAD END), gave me the following blurb: “A near perfect book for the times as Brian Farrey has provided the entire LGBT community, especially it’s teens, an important novel that’s as unnerving as it is page turning. A tough task to do and Farrey pulls it off with ferociousness and grace.”
Moving up the release date means I’m doing my headless chicken routine to prepare for book promotion on a slightly accelerated schedule. Â Stay tuned for news of a blog tour, contests, and other nifty events. Â Go-Go-Gadget Book Launch!
*=Just to be clear: WITH OR WITHOUT YOU has nothing to do with THE HITCHHIKER’S GUIDE TO THE GALAXY. Absolutely nothing. I’m just excited that my book is coming out so close to something associated with one of my favorite books of all time.
Full disclosure: while I live in Minnesota, I was born and raised in Wisconsin. I’ve always held an affection for my homestate, though I was severely disappointed when they passed a very hateful law preventing marriage equality a few years ago. In particular, I’ve always loved Madison, a shining oasis of progressive values in an otherwise frustratingly conservative state. So when presented with the opportunity to travel there this past weekend and present a DECA scholarship in memory of my mother at an awards ceremony, it required little coaxing.
Everyone knows that times are turbulent in Madison right now. The city is no stranger to conflict like the one that’s been brewing there for several weeks since Scott Walker created a budget deficit and proposed to eliminate it by destroying unions (a curious solution at best). With some time to kill before the ceremony, my husband and I created our own protest signs and joined the thousands who were rallying outside the state capitol. It was exciting to see so many people standing up and giving voice to their grievances. No violence, just civil disobedience acting as a cornerstone of true democracy.
State Street was lined with anti-Walker signs
The start of the rally.
This is what democracy looks like.
I think this was my favorite protest sign. *
On Sunday, we had the extreme pleasure of meeting KT Horning, Director of the Cooperative Children’s Book Center at UW-Madison. KT is amazingly intelligent and such an incredible advocate for children’s literature. After chatting for a while, she gave us a tour of the CCBC, where we luckily got to meet recent Caldecott winners Philip and Erin Stead who were in town. Philip and Erin were incredibly charming and I’m so pleased their beautiful book was recognized by the ALA. KT then gave the four of us a treat I hadn’t even dreamed of.
Growing up, one of my favorite books was THE WESTING GAME. It’s one of those rare books that, for me, has stood the test of time and I reread it once every year. Ellen Raskin, WESTING’s author, was a Wisconsin native and in her desire to help other authors and illustrators understand what goes into making a book, she donated all materials related to THE WESTING GAME to the CCBC. These included character notes, story outlines, edited manuscripts, publisher correspondence… every single thing she’d ever scribbled down regarding the book. My heart leapt when KT took out her key and opened up the drawer where all the Raskin papers were stored. As a creative process geek, THIS WAS HEAVEN! KT told us that Raskin was very particular about how the words fell on the page and would rewrite a sentence if it meant getting rid of a word that would be hyphenated at the margin. Much of the Raskin file detailed how meticulously she worked to get the look of each page just right. Here are a few items from the file:
These pictures served as inspiration for the Wexler sisters, Angela (top) and Turtle (bottom).
Raskin, who was also a graphic designer, designed the original cover. Here's a very rough sketch...
...of what would come to look more like this.
Clues.
Playing with words.
I could have stayed for hours, pouring over the documents. If you ever get a chance, stop by the CCBC and say hi to KT. She’s incredibly cool and a font of knowledge. And maybe, if you’re reeaaally nice, she’ll let you rub shoulders with the amazing Ellen Raskin.
“I am an echo of the eternal cry of ‘Let There Be’.”
–Stephen Schwartz, CHILDREN OF EDEN
As I said a few posts ago, dissertations on craft just ain’t my thang. There are people who do it far better than me ontheir blogs. But every now and then, a topic comes up that I can’t resist talking about. And this one interests me as both a writer and an editor: the idea of world building.
I’ve seen discussions of this come up online more and more lately. The consensus seems to be that readers love “good world building.†But when I see this, it’s almost always when the discussion involves genre writing (sci-fi, fantasy, etc.). Because of the nature of genre, a high premium is placed on skillful world building. It’s the backstory that explains the horrific events leading to the creation of the dystopian society. It’s the laws that govern the use of magic. Genre world building can be a bit tricky, especially when it comes to avoiding the dreaded info dump. (Also known as Death by Exposition.) It can be even trickier depending on the voice (first person narrator world building should be an Olympic event). And because of that, genre writing is where world building is most likely to go awry, when laying out the societal infrastructure takes pole position over building the character’s world. Some writers fall so in love with their own backstory that they forget not ALL of it needs to be spelled out or that the story is about the characters, not the fifty years of imagined history that preceded them.
In this year’s Printz award winner, SHIP BREAKER, Paolo Bacigalupi does a great job of building his main character’s world. You get plenty of information about how the world works but you get it through the lens of Nailer, the protagonist. His day to day struggle to survive says more about the world he lives in than three or four pages of info dump. Or just look at the first page of MT Anderson’s FEED (an oft cited, yet I still feel vastly underappreciated, book) if you want a master’s class in down and dirty world building.
Ultimately, though, I think it’s a mistake to default to genre writing when discussing world building. It’s easier to admire because it turns reality on its head in ways the brain can’t ignore. It’s also easier to deride when it becomes something that is applied with a turbo-powered sledgehammer. But all writing should be about world building. From your two paragraph flash fiction to your 115,000 word first novel that should probably be half that size. From the story of a young man who extricates himself from an abusive family to the story of a deaf girl who becomes the manager of a rock band. There’s no spellcasting, no matter transporters, no arenas where children fight to the death. But there are still worlds that these characters live in. It may bear a strong resemblance to the world you see every day but it’s not the same. Because, when done correctly, you’re seeing it through the protagonist(s)’s eyes.
Done correctly? Yes. Because just writing isn’t world building. It’s far more calculated than that. For me, world building doesn’t always come out in the first draft. I might hint at it but it’s later passes where things really begin to flesh themselves out.
The best kind of world building happens without the reader even realizing it. It builds slowly, offering insight at impeccably timed intervals. It’s insidious, lurking in an offhand comment from a secondary character, tempering the old with the new, taking the familiar and giving it a twist. Most importantly, it’s an intimate experience. It’s a protagonist (or protagonists) offering a private, totally subjective tour of their personal human condition. Reliable or unreliable, our narrators accomplish as much through their observations, their philosophies, and their actions as was accomplished in a very famous six day period.
I’d like to see more appreciation for world building in non-genre writing. It’s there. Don’t let the familiar fool you.
Hey there. I’m Brian’s neuroses. Are you comfortable? Can I make you comfortable? I’d hate for you to be uncomfortable. Just let me know if I can make you comfortable.
Should I be saying comfy? Does everyone know what I mean by comfy? Problem is, if you say it enough, comfy doesn’t sound like a word anymore. Comfy. Comfy. And it wasn’t even a word to start with.
I’m a little bit on edge. A lot on edge. You see, for the first time ever, a real person is reading my book. Not a friend. Not a classmate. Not an industry professional. A real, honest to goodness human being with a brain and blood and very probably sweat glands.
This has never happened before. And it’s kind of vomit inducing. See, for months now, the vampire in my head has been telling me I suck. That I’m really, really terrible. And lately it’s been saying, “See? That real person who reads this is going to think so too. Then you’ll know I’m right.â€
Now, Brian knows that the reality is not everyone is going to like his book. But I, his neuroses, have this fear that NOBODY will like his book. That people will point and laugh. That readers everywhere will create cruel limericks simply to express their disdain. And once you’ve been mocked via limerick, it’s pretty much done. Game over, man. Game over.
So I’ll be over here in the corner, teeth chattering and knees knocking. Like Mel Brooks said, “Hope for the best, expect the worst.†Which is good because that’s something I’m awesome at! Go me!
Online recently, I’ve seen several discussions on one aspect of the writing process that can be summed up in the question: are you a plunger or a plotter? Plungers just dive right into writing, unsure of where they’re going, who they’re writing about, or how best to proceed. They may have a few general ideas but for the most part, they fly blind. Plotters sit down and, often meticulously, craft a roadmap for where the story will take them, how the characters will change. Both techniques are completely valid (ALL techniques are valid, I suppose, as each writer’s process is unique) and each offers something to different writing temperaments (for anyone who might be interested, I tend to be a little of both and it depends on the project).
In creating this, my third blog (my first as a published author), I started with a bit of an identity crisis. The first blog I started in 2005 was kept in tandem with my experiences in the MFA program. It was a lot of things. An attempt to chronicle my thoughts as I went through the program. An experiment at developing an online persona. A place to tinker with fiction, some of it blurring the line between reality and what was not. I finished the program with a shiny new MFA and sold my master’s thesis as my debut novel. I felt this signified a turning point whereby the MFA blog needed to evolve.
So I shut it down and started my most recent blog, Assume Crash Positions. This new blog was an effort to be more of myself (and less of the “online personaâ€) and was meant to catalog my experiences while I awaited publication of my first novel. It was an unmitigated failure. I offered very little introspection (I found it harder to do so in this new blog incarnation) and spent most of my time linking to funny YouTube videos. (You have to admit, some of them were hysterical.)
Now that my debut novel, CHASERS, is due out next year, I’m launching an official website and another blog (c’est ici). So… what’s this new blog all about? I considered several avenues:
–PUBLISHING: I’m an editor. I acquire young adult books for Flux. It would make sense to talk about the publishing process, the behind-the-scenes stories, give tips on writing query letters, etc. But the fact is simple: there are scores, possibly even hundreds, of other blogs that offer this same information and they’re much better at it than I would be.
–CRAFT: I’m fascinated by the craft of writing. I’m particularly fond of examining point of view, as it’s like the nervous system that affects every single other aspect of the story. Honestly, though, my study of craft is more introspective than something I tend to discuss. Sometimes, with close writing friends, I’ll pose questions and we’ll debate the merits of scene vs. summary (a well-worn debate). But mostly, I keep it to myself. And, again, there are countless other sources online that offer thoughtful analyses of craft.
–THOUGHTS ON CHILDREN’S BOOKS/CURRENT EVENTS: Now here, I admit, there may be some merit. In fact, in thinking about the things I’d like to discuss, invariably these sorts of things are bound to pop up. Every 3-4 months, the New York Times publishes some piece by an egregiously ill-informed writer who trashes children’s books and the internet practically detonates with outrage. I can’t help but feel this is unavoidable. But not quite something to spend all my energy on.
–BOOK REVIEWS: Again, I’m sure this may pop up from time to time, if I read something I’m really excited about. But I’m not sure I can devote my blog to this.
And as I considered these different possibilities, it occurred to me: I’m being a plotter. By nature, I enjoy studying structure of novels and that definitely brings out the plotter in me. There’s something safe and reassuring in rigid definitions.
But, in reality, while I utilize both techniques, I’m mainly a plunger. I tend to start with a few rough ideas, a couple scenes sketched out in my head. I tend to plunge until I get stuck and then the plotter takes over. Plunging can be scary, akin to driving without a map or jumping into a pool where you don’t know how deep it is. But it can also be freeing. What I love best about plunging are the surprises. Characters doing things you don’t expect, the ability to say “what if…â€.
In all the novels I’ve completed, I followed this pattern: plunge until things get complicated, then sit down and sketch out the rest, leaving room for surprises but generally having a good idea of where I need to go and how I need to get there. And I figure if it serves me well in novel writing, it can work just was well on the blog.
So, plunge with me as I figure out exactly what this space is going to be about. I know, it’s daunting. Why stick with something when you don’t know what the ultimate pay-off will be? Could be exciting. Could be the Most Boring Blog in the Universe. Trick is, you won’t know until you take the plunge.
Are you game? (Don’t answer that. It’s rhetorical. I fear the answer. Look, only three posts in and I’m neurotic. Sure you don’t want to stick around just to watch the implosion?)
1. I will post a minimum of once a week (probably on Mondays).
2. I will try to be insightful and intelligent, raising questions when they need to be raised and submitting opinions for informed discussion. Failing that, I’ll shoot for moderately entertaining.
3. I will not simply shill my books. I’ll discuss my interests, possibly some current events as they relate to my interests or writing. Probably not a lot about my personal and professional (as an editor) lives. But I’ve been known to slip up in those regards.
4. I will keep posts about DOCTOR WHO to a reasonable minimum. I reserve the right to define reasonable.
5. I will not be someone I’m not. This will make some people happy. This will likely vex others.
6. I will endeavor to create a safe, nurturing environment for those who visit and share their thoughts. Intelligent discourse will be treated courteously. Opinions without basis in fact will not. As Harlan Ellison says, “You are not entitled to your opinion. You are entitled to your INFORMED opinion.†As with ‘reasonable,’ I reserve the right to define fact.
7. I will try not to complain about Twitter and Facebook like Uncle Grumpy Luddite. I will really, really try.
8. I will try to respond to comments. I will fail miserably for the most part. The effort will be more concentrated when trying to enforce #6.
9. I will remain positive, except possibly in those cases where complying with #2 means questioning the ill-informed (i.e. books being banned, etc.). In those instances, I will remain positively enraged.
Welcome to the Official Website of Brian Farrey! It sounds strange to say that. Never, in my life, did I think I’d have an “official” anything, let alone a website. But, wow, look. Here we are.
Still setting up shop here. Not much to see now but keep coming back and things will only get prettier. New content coming soon (and on a regular basis, he says with fingers crossed and hope in his heart).
